“3:10 to Yuma” saunters into theaters September 7th. Donald Sylvester, who supervised director James Mangold’s last effort “Walk the Line,” dueled with the sound editorial. Sylvester, a sound editing renaissance man has cut everything from foley to ADR to dialog to effects during his career. Re-recording mixers Paul Massey and David Giammarco came out, faders blazing on FOX’s John Ford dubbing stage. Another “Walk the Line” alum, Massey is fresh off this May’s “Pirates of the Caribean” sequel while Giammarco mixed New Line’s “The Last Mimzy” earlier this year. Jim Stuebe was deputized to mix the production sound. Stuebe has production mixed Wes Craven’s last few films and shot sound on Ben Affleck’s directorial debut “Gone Baby Gone.” Composer Marco Beltram, another Wes Craven frequenter, scored “3:10 to Yuma” at Abbey Road in London. Beltram has already had a big summer composing for June’s “Live Free or Die Hard.”
CHECK BACK TOMORROW FOR A Q AND A WITH SOUND EFFECTS RECORDIST ROB NOKES!
JOHN FORD STAGE
SUPERVISING SOUND EDITOR: Donald Sylvester
RE-RECORDING MIXER: Paul Massey
RE-RECORDING MIXER: David Giammarco
PRODUCTION SOUND MIXER: Jim Stuebe
ABBEY ROAD
COMPOSER: Marco Beltrami
Data preservation for the cinematography community.