HALLOWEEN

“Halloween” haunts theaters August 31st. Sound supervisors Perry Robertson, Barney Cabral, and Scott Sanders took a stab at the editorial. All linked to Earcandy Post (an editorial/design house in the valley), the two have worked together on Rob Zombie’s last, “The Devil’s Rejects” as well as continuing a working relationship with Jason Rietman, supervising his next, “Juno”. Re-recording mixers Patrick Cyccone Jr. and Daniel J. Leahy dubbed the film at Widget Post on their ICON driven stage Cyccone one of Alxeander Payne’s usual mixer’s, dubbed the directors last 3 films including 2004’s “Sideways”. While included in Leahy’s established mixing career, one of his first gigs was 1985’s “Back to the Future”. Production mixer Buck Robinson sleighed the sound on set. Robinson, another “Reject’s” alum, splits his production mixing time during the year between features and television shoots. While staying true to the source, Composer Tyler Bates was charged with the monumental task of revising Carpenter’s iconic score. Bates has had a big year already, composing for “300” and has been quoted as providing conceptual material for Zach Snyder’s next film, “The Watchmen.”

CHECK BACK LATER TODAY FOR A Q AND A WITH SOUND SUPERVISOR PERRY ROBERTSON!

WIDGET POST: STAGE D

SUPERVISING SOUND EDITOR: Perry Robertson

SUPERVISING SOUND EDITOR: Barney Cabral

SOUND DESIGNER: Scott Sanders

RE-RECORDING MIXER: Patrick Cyccone Jr.

RE-RECORDING MIXER: Daniel J. Leahy

PRODUCTION SOUND MIXER: Buck Robinson

COMPOSER: Tyler Bates

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