Though I doubt the sound schedule was anywhere near 28 weeks long, taking place 7 months after the events of the first film, 28 weeks later runs into theater this friday May 11th. Prodiuction sound mixer Simon Hayes handled the brunt of the location sound with Sound designer/supervising sound editor Glenn Freemantle reanimated to tackle sound editorial and mixers Brendan Nicholson and Ian Tapp dubbing @ Pinewood studio’s Theater one just outside of London. The film score was composed by John Murphy another survivor of the first film… Though I admire the simplicity of the “28 days later’s” video photography I am stoked that the sequel went with a little classier look and though the story seems to rehash some theme’s from the first installment the trailer already indicates that big sound events will take place…

PINEWOOD THEATER ONE

SUPERVISING SOUND EDITOR: Glenn Freemantle

RE-RECORDING MIXER: Brendan Nicholson

RE-RECORDING MIXER: Ian Tapp

PRODUCTION SOUND MIXER: Simon Hayes

COMPOSER: John Murphy


Data preservation for the cinematography community.